 | | Shri. Sharadkumar Khaladkar is the son of well known Sanai player Baburaoji Khaladkar of "Kirana" family.
His education of Sanai wadan has been completed since his age of 15 years, by the guidance of his father and elder brother Pandit Suryakant & Ramesh Khaladkar.
Since childhood, he has got lessons on Sanai wadan. He has performed with his best in Sanai wadan in different areas of India supported by his elder brother and father. Further he started to perform his own programs. In 1974, first program performed by him was in Sur Singar Sanstha, Mumbai and has been awarded by Shrimati Jaya Bachchan with Surmani Award.
He has performed "Sundri"wadan programs also with Pandit Suryakant Khaladkar. He Has awarded him with a medal in the program performed by him in Shri Swami Haridas Sangeet Sanmelan at Kal Ke Kalakar Rangbhuwan Mandir in Mumbai. He has rewarded by Promotional Certificate by Late Rajiv Gandhi and Shrimati Soniya Gandhi in a program held at Delhi.
He has performed individually in Sawai Gandharva Mahotsav of Pune since last 15 years.
Shri. Sharadkumar Khaladkar is the 5th generation of his family. He has achieved mastery in Sanai and Sundri wadan. At present he is performing programs in Mumbai Akashwani Kendra. In 1952, the opening of Sawai Gandharva Sangeet Mahotsav has been done by his father's Sanai wadan program. | |
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 | | A gifted child prodigy with a family lineage in classical music, Anand Bhate has been a disciple of the legendary doyen of the Kirana Gharana, Pandit Bhimsen Joshi and Pandit Yashwantrao Marathe of the Khayal Gayaki. At tender age he presented Hindustani Classical Music, Marathi natyasangeet and devotional compositions. Connoisseurs were spellbound by Anand's luminous rendering of Balgandharva's gayaki and affectionately conferred on him the 'title' Anand Gandharva. A brilliant IT professional at Zensar Technologies, Anand pursues his passion, music with great fervor and commitment. He has given performances on many prestigious platforms in India and abroad. | |
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 | | Chandrakant Limaye has created his own style with an imaginative mix of classical ragas, Thumri, Dadra, Tappa, Bhajans and Marathi Natyasangeet. He has had tutelage from Late Dr. Vasantrao Deshpande and eminent vocalists from Gwalior, Jaipur and Agra Gharana. A teacher, an actor, a vocalist, a music composer, a lecturer, a music judge, Chandrakant Limaye has multi-dimensional talents. His music is a glory of Indian classical tradition and is duly awarded with numerous prestigious honours and performances. | |
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 | | Santoor, the folk instrument from the valley of Kashmir owes its classical status to Pandit Shivkumar Sharma. Performance career of over half a century, innovations in Santoor to establish it on concert platform, countless concerts in India and overseas, over hundred recordings, various experimental albums, priceless honours such as Padmashree, Padmavibhushan, Maharashtra Gaurav, Tansen Sanman, 2 Honourary doctorates.. Pandit Shivkumar Sharma is a rare creative genius. A great artist and guru, a responsible citizen and principled man, Panditji is a legend in the true sense of the term! | |
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 | | Malini Rajurkar was born into an archetypal middle class family of the Indian household, where everybody thinks of growing up with studies, getting a secured job, get established in his/her career and finally get married and raise a family. However, she was always interested in singing classical music and have a career in it in future. She had full support though, of her family. In the mean time, she joined Ajmer College with a musical scholarship, where she met her future guru, the legendary Pt. Govindrao Rajurkar, who trained her in the tricks and nuances of classical music. She was an excellent task manager, who, in spite of being married, knew exactly how to balance between home and her career. Her in-laws were completely supportive in her decision, who were a musical family themselves. She had also assimilated other nuances of classical music from other legendary gurus. She was open to every kind of musical variation and boasts of an individualistic free style. Her heavy reverberating voice, with an unusual range and depth, rendered her khayals an uncanny tinge. In fact, she is only of the few singers in the classical genre who is a successful and exceptional singer of tappa |
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